Classissima Meine Klassik

 

AKTUELLES

Guardian

Vor 17 Stunden, 54 Minuten   -  

Why the male domination of classical music might be coming to an end

For decades – no, make that centuries – the classical music world has sidelined women, if not ignored them completely. But the balance may be finally shiftingIn a studio at Morley College in south London, a group of teenagers are ...

27. Februar   -  

CBSO/Nelsons review – every tangled strand of their instrumental writing was teased out

Symphony Hall, Birmingham The conductor’s sense of line through the slow movement was immaculate, and his control of the huge finale unfaltering Continue reading...

27. Februar   -  

The Indian Queen review – Lucy Crowe’s singing brings Purcell into focus

Coliseum, London Stylised violence, stylish conducting and extended ballets combine in this adaptation of an unfinished work by Purcell, resulting in a fragmentary but sometimes glorious night at the ENO / Continue reading...

26. Februar   -  

Elgar: Symphony No 1; Cockaigne CD review – unfocused and immature

Royal Liverpool Philharmonic Orchestra/Petrenko (Onyx) Continue reading...

26. Februar   -  

Lost and Found: Hoffmeister; Fiala; Lebrun and Kozeluh Oboe Concertos CD Review

Mayer/Kammerakademie Potsdam (Deutsche Grammophon) Continue reading...

26. Februar   -  

Andre: … auf … CD review – alienated textures

SWR Symphony Orchestra Baden-Baden/Cambreling (Wergo) Continue reading...

26. Februar   -  

David: Le Desert CD review – coherent and compact

Dubois/Wilder/Winling/Accentus/Orchestre Chambre de Paris/Equilbey (Naive) Continue reading...

26. Februar   -  

Olafur Arnalds Plays Broadchurch review – a masterclass in musical tension

ABC, Glasgow Arnalds’s melancholic soundtrack to the hit ITV series is even more ominous when not interrupted by ad breaks Continue reading...

26. Februar   -  

Christopher Yates obituary

Continue reading...

26. Februar   -  

Bournemouth SO/Karabits review – muscular, engrossing Penderecki

Lighthouse, Poole It may not be a feelgood work, but Penderecki’s Fourth Symphony was savoured by conductor and orchestra, framed by taut, alert Beethoven Continue reading...
Keine vorherige Seiten | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | 107 | 108 | 109 | 110 | 111 | 112 | 113 | 114 | 115 | 116 | 117 | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | 136 | 137 | 138 | 139 | 140 | 141 | 142 | 143 | 144 | 145 | 146 | 147 | 148 | 149 | 150 | 151 | 152 | 153 | 154 | 155 | 156 | 157 | 158 | 159 | 160 | 161 | 162 | 163 | 164 | 165 | 166 | 167 | 168 | 169 | 170 | 171 | 172 | 173 | 174 | 175 | 176 | 177 | 178 | 179 | 180 | 181 | 182 | 183 | 184 | 185 | 186 | 187 | 188 | 189 | 190 | 191 | 192 | 193 | 194 | 195 | 196 | 197 | 198 | 199 | 200 | 201 | 202 | 203 | 204 | 205 | 206 | 207 | 208 | 209 | 210 | 211 | 212 | 213 | 214 | 215 | 216 | 217 | 218 | 219 | 220 | 221 | 222 | 223 | 224 | 225 | 226 | 227 | 228 | 229 | 230 | 231 | 232 | 233 | 234 | 235 | 236 | 237 | 238 | 239 | 240 | 241 | 242 | 243 | 244 | 245 | 246 | 247 | 248 | 249 | 250 | 251 | 252 | 253 | 254 | 255 | 256 | 257 | 258 | 259 | 260 | 261 | 262 | 263 | 264 | 265 | 266 | 267 | 268 | 269 | 270 | 271 | 272 | 273 | 274 | 275 | 276 | 277 | 278 | 279 | 280 | 281 | 282 | 283 | 284 | 285 | 286 | 287 | 288 | 289 | 290 | 291 | 292 | 293 | 294 | 295 |