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December 22   -   Tribuna musical

Ballet at the Colón 2017: not enough innovation

Although the Colón Ballet had been promised more performances for 2017, this won´t happen. And the programming, rather unusually, will offer four full-length ballets, all of them revivals, though attractive. Last year I welcomed the long-overdue presentation of Delibes´ "Sylvia", beautiful music that hadn´t been heard for more than sixty years, this time with choreography (1952) of that great Covent Garden creator, Frederick Ashton; in this case the reprise is justified, to give audiences a new chance to meet this important ballet, and it will be with the debut of Isabella Boylston, from the American Ballet Theatre. As usual, the orchestra during the season will be the Buenos Aires Philharmonic; the conductor on this occasion, Emmanuel Siffert. April 7 to 12.

Then, "La fierecilla domada" ("The Taming of the Shrew"), the wonderful Cranko ballet on Shakespeare´s comedy first seen here by the Stuttgart Ballet and later danced admirably by Maximiliano Guerra, the current Director of the Ballet, who certainly chose it out of justified nostalgia. But decades have passed and it will be pleasant to see it again, with music by Kurt Heinz Stolze based on Domenico Scarlatti sonatas. Conductor, Darío Domínguez Xodo. June 25 to July 1.

In recent years we´ve seen plenty of "Nutcrackers" and "Swan Lakes", but not "Swan Lake", the longest and perhaps greatest of the Tchaikovsky ballets. The very capable Mario Galizzi has donated his revision of the Petipa original to the Colón. Guests will be our Marianela Núñez, star of London´s Royal Ballet, and Anna Ol, from Holland´s Het Ballet. Although I will never forget the presentation of the Royal Ballet at our Luna Park decades ago, I will look forward to this revival, which I hope will be complete. Conductor, Siffert. September 30 to October 6.

Finally, "Notre Dame de Paris", choreography by Roland Petit on Maurice Jarre´s music, based on the Victor Hugo novel. Although about 15 years ago I wasn´t impressed by Jarre´s music, I liked the inventive choreography and was sorry to know that Petit wasn´t paid; the conflict lasted until his death; apparently his succession has struck a deal with the Colón. Conductor, Javier Logioia Orbe. December 23 to 29.

So the year will pass without either new works or very necessary revivals of choreographers such as Massine or Gsovsky. And without a composite evening of various ballets.

For Buenos Aires Herald


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