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Arioso7's Blog

November 15   -  

Our Global-wide Skype Music Sharing: Triumph over Tragedy

I posted the following on my Facebook page after my adult students played for their peers yesterday over Skype. Their performances were beamed from London, England; Sydney Australia; near Asheville, North Carolina; Prospect, Kentucky; Chico, ...

November 12   -  

Imagination fuels expressive piano playing

As my local and Online piano students gear up for their bi-annual music sharing this coming Saturday over Skype, a commonly expressed concern is how to harness the imagination to feed a musical journey right from the opening measure of a piece to its ...

November 10   -  

Would Mozart believe he was “banned” worldwide?!

I thought it would never happen! An instant banishment from cyber-space! Mozart’s beloved Andante from Sonata K. 283 was the victim of pure and simple tyranny by the you tube police! The stand-in argonaut imperialist Hyperion, a recording ...

November 4   -  

Patience reminders for impatient adult piano students

I was about to lose patience with a student this past week who lost patience with himself in the early practicing phase of a Bach Prelude. It was a common circumstance. An expectation was built into the adult psyche over decades that an overnight ...

October 30   -  

Chopin’s Fantasie-Impromptu rises above Facebook etiquette

This morning I was greeted by a Timeline addition to my Facebook page that was worrisome. The header was, “Is this your student?” It framed a precociously youthful performance of the Fantasie-Impromptu that was at best hammered out and ...

October 28   -  

Schumann’s “Almost Too Serious” (Kinderszenen No. 10) requires get serious, step-wise practicing

When I first looked at a “seriously” complex page of dizzying tied-over (syncopated) notes in Schumann’s “Almost Too Serious,” (Fast Zu Ernst) I had a knee-jerk avoidance response–that is until I tapped into a ...

October 22   -  

Exploring Mozart Sonata No. 5 in G, K. 283 (First movement, Allegro)

The learning exchange between student and teacher is heightened when a new piece is introduced. In the case of Mozart’s charming, early period Sonata no. 5 in G, it became a revisit for me that brought new revelations that I shared during the ...

October 16   -  

Choosing a traveling (Portable) digital piano for myself

Apologetically, I must admit that as an acoustic piano purist, I often need an electronic when I’m doing a dinner party gig and there’s no viable alternative. The house piano might be virtually impossible to play or there’s no real ...

October 12   -  

What’s Frightening about Schumann’s “Frightening? ” (Kinderszenen, Op. 15, no. 11)

What convinces most pianists that Schumann’s “Furchtenmachen” (Frightening) is an expression of fear or perhaps more specifically anxiety, are the markedly impulsive sections that contrast with lyrical, reflective ones. And not to ...

October 8   -  

Untangling hands and subduing AFTER beats in Robert Schumann’s music

When a pianist tackles a piece like “Am Kamin,” (“At the Fireplace”) from Schumann’s signature childhood reminiscence, Kinderszenen, he/she must artfully navigate the musical terrain, avoiding hand pile-ups and after-beat ...
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