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NY Times

15 hours, 46 minutes ago   -  

Battle of the Bands: At 175, New York and Vienna Face Off

The two venerable orchestras, both celebrating their 175th anniversaries this season, display treasures from the archives in a rare joint exhibition.

16 hours, 46 minutes ago   -  

Review: A Look at ‘Léonore’ Before Beethoven, and Others, Got to It

The opera tells the story of the wife of a political prisoner, who disguises herself in an attempt to set her husband free.

18 hours, 53 minutes ago   -  

Breathlessly Spiraling Bach: The 8 Best Classical Music Moments This Week

Among them, the conductor Herbert Blomstedt's surprising performance with the New York Philharmonic and a Facebook Live concert and interview with the tenor Javier Camarena.

22 hours, 22 minutes ago   -  

A Fearless, Ferocious Violinist Takes New York

There is only one Patricia Kopatchinskaja. And she performs Prokofiev with the London Philharmonic Orchestra at David Geffen Hall.

February 23   -  

Classical Music in NYC This Week

Our guide to the city’s best classical music and opera.

February 22   -  

A Musical Handshake Spanning Centuries: Venice in New York

New York Times critics offer their impressions of “La Serenissima,” Carnegie Hall’s Venetian music festival.

February 22   -  

Lincoln Center Turns Away Woman Wearing Anti-Trump Sign

Jenny Heinz, 72, refused to remove a sign affixed to the back of her jacket that said: “NO! In the name of humanity we refuse to accept a fascist America.”

February 21   -  

Tanglewood Plans New Buildings and More Trees

The Boston Symphony said Tuesday that it planned to spend $30 million for a new theater and more shade trees, and to support its educational programs.

February 21   -  

Hear How ‘Moonlight’ Got Its Sound: Violins, Chopped and Screwed

Nicholas Britell, the film’s composer, whose score is up for an Oscar, explains his treatments of the music using the style of a Houston D.J.

February 21   -  

Hear How ‘Moonlight’ Got Its Psychedelic Sound

Nicholas Britell, the film’s composer, whose score is up for an Oscar, explains how he “chopped and screwed” the songs in the style of a Houston D.J.
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