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NEWS

Telegraph

Yesterday   -  

Grieg: Lyric Pieces, Janina Fialkowska (piano), review: 'wonderful flights of fantasy'

The Canadian pianist is an interpreter of sublime inspiration, says Geoffrey Norris

Yesterday   -  

Why the best music belongs in a shoebox

Experts in acoustics advocate the "shoebox" design for a concert hall - and London should have one, says Simon Heffer

July 3   -  

LSO/Rattle/Zimerman, Barbican, review: 'time for London's other orchestras to tremble'

Simon Rattle's latest concert with the LSO was both starry and packed with first-rate artistry, says John Allison

July 2   -  

Orpheus in the Underworld, Iford Arts, review: 'thoroughly jolly'

The Opera della Luna company's production of Jacques Offenbach's Orpheus in the Underworld is executed with tremendous verve, says Rupert Christiansen

July 2   -  

Statues of the famous: the good, the bad and the ugly

When statues of famous people go very, very wrong

July 2   -  

We should be applauding not booing the new Guillaume Tell

Challenging art ought to surprise its audience, says Nigel Farndale

July 1   -  

Fiona Shaw: 'Operas are more interesting than plays'

The actress-director tells Rupert Christiansen why a dark Britten opera has lured her back to Glyndebourne

July 1   -  

Finland: On the trail of Jean Sibelius

To mark 150 years since the composer Jean Sibelius's birth, Harriet O'Brien seeks out the Finnish landscapes that inspired him

July 1   -  

Apple Music, critic's review: 'clunky, fussy, confusing and flawed'

A new dawn? Apple's new streaming service leaves music critic Ed Power fuming

July 1   -  

The Flying Dutchman, Opera North, review: 'a very fitting appearance'

Strong singing and intelligent design make this staging of Wagner's early masterpiece highly recommendable, says John Allison
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