The intimations of Ravel and Stravinsky in Colin Matthews' opulent orchestrations of Debussy's gusty Préludes, "The Wind in the Plain" and "What the West Wind Saw", made for a quite incestuous feel to the second of ...
David Alden's English National Opera production presents Katya Kabanova as an Expressionist concentrate of silent screams and mucoid hawking. Its focus, like that of Alexander Ostrovsky's play, is the thunderstorm in ...
Judith Leclair, principal bassoonist of the New York Philharmonic, valiantly manages in this anthology of chamber pieces to avoid the comical nasal quality that makes the bassoon a little showcased instrument.
Written in the early Eighties, Trio was one of Feldman's first long-form pieces employing a conventional chamber palette of violin, cello and piano. It involves neither epic musical narrative nor the tedium of process music, ...
There has been almost as much of a glut of Well-Tempered Claviers recently as commemorative Chopin editions, including interpretations from Daniel Barenboim and Maurizio Pollini; but this 5CD set of both Books I and II by Roger ...
With Lang Lang hogging the limelight, there’s not much space for other young
Chinese pianists to get noticed at present, yet Lang Lang’s coeval Yundi Li
shadows him as constantly as the moon shadows the ...
With the Fifth Symphony came the midpoint in the Mahler in Manchester series,
an invaluable enterprise between the BBC Philharmonic, the Hallé and
Manchester Camerata.
First seen in Florence, Graham Vick's cool, contemplative production of
Tamerlano would have been unlikely to feature in the current Royal Opera
House season without Placido Domingo's endorsement.