The intimations of both Ravel and Stravinsky in Colin Matthews’ opulent
orchestrations of Debussy’s gusty Preludes “The Wind in the Plain” and “What
the West Wind Saw” made for a quite ...
It’s one small step for Beethoven and a giant leap for mankind from the First
to his Eighth Symphony and to hear both works in tandem on instruments of
the period only intensifies the revolution drawing us ever closer to ...
Rattle's Bach" is how the City of Birmingham Symphony Orchestra publicised its St. Matthew Passion at the weekend. It could as easily have been "Rattle's Passion", given the spontaneity and cumulative emotional power ...
One composer; two bicentenaries: Chopin's birthday is disputed. Some anoraks favour 22 February, others insist on 1 March, so the Royal Festival Hall marked both. Maurizio Pollini's capacity-crowded ...
Whether or not Placido Domingo’s presence would have lifted the dynamics of
this decidedly flaccid evening one cannot say. It’s hard to imagine him
amidst the dispassionate chic of Richard Hudson’s whiter ...
With wounded soldiers shipped in to Covent Garden by the egregious Joanna
Lumley, and the idiocies of ‘Popstar to Operastar’ giving way to Kiri Te
Kanawa’s X-Factor search for talent on Radio 2, ...
The reputation of George Gershwin's Rhapsody In Blue has been transformed in recent years as, starting with Michael Tilson Thomas in the 1970s, arrangers have rediscovered its jazz origins beneath decades of orchestral polish. Working ...