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Arioso7's Blog

20 Mai   -  

“Great pianists speak about imagination and the singing approach”

I’m grateful to Pianist/Teacher Emma Leiuman for posting this recorded ensemble of inspired voices. Leon Fleisher, Daniel Barenboim, Gyorgy Sebok and Arthur Rubinstein share an approach to music-making that is devoid of mechanics, didactics, ...

16 Mai   -  

Tchaikovsky’s “Sweet Dream” requires a balanced synthesis of voices

At first glance, most piano students will not realize the amount of detailed work and analysis that applies to learning one of Tchaikovsky’s most endearing miniatures from his Op. 39 Children’s Collection. However, after an initial reading ...

9 Mai   -  

The Primer Piano Learning Environment and being Creative

As so many teachers know, there’s no foolproof method or material that will encompass the needs of all beginning piano students. And for some mentors who’ve grown frustrated with what’s available on the commercial market, ...

30 Avril   -  

The piano playing speed zone: Letting Go but Staying in Control

At some point, piano students will face the challenge of playing a super fast-paced piece without having it fall apart. And while such a task may seem daunting, the player can begin to allay his fears by devising a parceled out practicing strategy. ...

26 Avril   -  

What should be natural is hard for many piano students

I often think about artificial barriers that many students erect when practicing. Of the adults whom I’ve mentored (and learned from) over the years some have had a formidable line of defense against “hitting” wrong notes. In many ...

20 Avril   -  

Unlocking Schumann

My first thought last night as I was revisiting “Gluckes Genucht” after resting it for months, was that this tableau like others in Kinderszenen, Op. 15, beg for hand, arm, wrist flexiblity as antidotes to tension-driven lockdowns. The ...

12 Avril   -  

Cruising the piano forums

Amidst my morning journey to Huffington Post, Salon.com, Slate, NY Times International edition, Twittle-Tweet and Twittle-Trumpf, Democracy Now, and Facebook’s Headline HQ, I check the latest humdrum at the piano forums. Some of these ...

5 Avril   -  

The earliest steps in piano learning

The earliest dip into piano study includes many ingredients some of which are overlooked or minimized. When mentoring a young child of 6 or 7, or a beginning adult student, sensitivity to tone/touch seems very basic to making music, yet it’s ...

31 Mars   -  

When Upbeats have a new meaning and importance

For most piano students, an upbeat is considered a lighter springboard to a more predominant DOWN-beat, as if the UP in music should always be taken LIGHTLY. (except in Jazz framings where syncopations are characteristic of the genre.) *** We can ...

25 Mars   -  

Piano Technique: Shaking out Bach Ornaments! and the influence of Claudio Arrau

When working on executing ornaments with an adult student as they appear in J.S. Bach’s Prelude in F minor, I thought instantly of Claudio Arrau’s allusions to “shaking” these out, without having a thread of tension in the ...
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