Classissima | Ma musique classique

 

ACTUALITE

Arioso7's Blog

17 Août   -  

“Hear it before you play it!”

Leon Fleisher, an icon in the universe of pianists, put it succinctly. He channeled the wisdom of Artur Schnabel that embodied the idea that a musician must have an internal sense of what he expects to hear before playing a single note. Fleisher ...

15 Août   -  

Teaching a Chopin Nocturne under the influence of Arthur Rubinstein

I must admit that one of my daily activities is sampling You Tube videos of celebrated pianists, and as I teach a new composition to a student, I draw an attentive ear to pre-recorded ornament executions, phrasing, and tempo. It’s not that I ...

12 Août   -  

Prjevalskaya soars as a world-wide pianist!

Marianna Prjevalskaya, an international personality, with roots in Spain; mentored in her formative years by her Russian mother, is a conspicuously accomplished pianist. As she journeys from one competition to another, she’s racking up prizes in ...

8 Août   -  

From Chemo to Carnegie Hall, a Local Pianist makes her New York Debut

This is a heart-wrenching story that reads like a movie script. A gifted musician in the throes of her teaching career is stricken with cancer, endures bouts of energy-draining chemotherapy, but clings to the piano as her lifeline. In the final ...

8 Août   -  

Piano Technique: A Legato to staccato arpeggio with “rolls and snips”

When playing a three-note (root, third, fifth) arpeggio over a spread of 3-4 octaves, the ROLLING motion that permeates a Legato rendering in triplets, can nicely snip into a buoyant staccato, if the arm, wrist and fingers are unimpeded by tension. ...

7 Août   -  

Schubert Impromptu No. 2 in Eb, Op. 90: Looping and Grouping notes

“Looping” and “grouping” provide prompts for practicing relentless triplets in the opening section of Schubert’s Eb Impromptu. Myriads of scale-like passages meander in unpredictable directions at times, often inserting ...

5 Août   -  

J.S. Bach Invention No. 13 in A minor: Early learning phase Deep Key Connection

Many piano students tiptoe through a parceled voice reading of a new composition instead of choosing a relaxed, behind tempo approach that allows a deep, dead weight COMMITTED connection into the keys. Thinking that the notes are strange and ...

1 Août   -  

Adult Piano Instruction: Exploring weight transfer and supple wrist motions for improved phrase shaping

A new adult student is working on Beethoven’s Sonatina in F, one of the composer’s less played works, but nevertheless quite a musical gem. While the composition has a Mozartean flavor, the abrupt shift in dynamics in the opening ...

30 Juillet   -  

Going Solo with the Schubert Fantasie for 4-hands

I found the perfect solution to practicing the Schubert Fantasie in F minor without my duet partner, since she’s absent for 6 days of the week. While we rehearse on Thursdays, the piano bench literally shrinks putting us both at risk for hand ...

28 Juillet   -  

Piano Instruction: Allemande from J.S. Bach French Suite no. 5 in G Major

Andras Schiff, known for playing Bach “purely” without pedal, encourages piano students to indulge J.S. as actors cultivate Shakespeare. It’s our daily “bread,” he insists. Regardless of his mixed metaphor, I concur that ...
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 |